People are often amazed at how available Steven is to the public. There’s a commonly held assumption that the artistic process requires isolation and the kind of extreme concentration that can only come from working in a secluded studio or artist’s garret. In contrast, Steven has always thrived with public interaction, as he reminds me, the public, 'people' are his subject. However, higher profile projects have brought new attention to the studio and it’s been a little bit of shock to see our little world from the outside perspective.
The John David Crow project has brought some nice media coverage including newspaper and magazine articles and a recent feature on a local news program. Since we want to put our best face forward we actually have to clean up the studio. The pace of the project has us adding about 150 pounds of clay to the sculpture a day and none of it happens in a neat and tidy manner. Of course when I mentioned that Steven might want to change his shirt for the interview since the one he was wearing had a spot on it, he explained that he was just going to get clay on it anyway. It’s this slightly prepared, but still messy reality that is now captured on film.
Since the studio couldn’t exist without the support of our staff, much of the media coverage also includes comments by the staff. As always, they do us an incredible service and their comments on the work and the process make us both grateful and inspired. Lord Wellington seems to have made the smoothest transition to print and film. He takes no notice of the extra attention and may be the one true media star of the group.l
As strange as it is to see yourself on film, it’s been wonderful to see how well the sculpture itself is photographing. Though still in progress, the piece is definitely taking shape and it’s clear that the finished work is going to convey the spirit and momentum Steven intended.